Cell Phone Video Proves Boston Bombing a Hoax
Major new evidence, including catching the magician man with his bag of paraphernalia and actually pulling out the hoax gore–the fake amputated stump and long bone–before doing his dirty deeds.
A cell phone video inadvertently captured the needed evidence to prove that the Boston Marathon bombings are a hoax. The video also proves that it this bombing isn’t a real bombing but instead a fake one. This is because the video captures the incredible: images of the hoodie amputee artist, Christian Williams, directly on-site, awaiting his command and orders.
The revelation arises from the always investigative, Max Malone, who has discovered yet another proof against the arch-scammers behind the Boston Marathon bombing hoax. See his video rendition, here:
Now in still form. Just before the detonation of the no-traumatic smoke bomb: all calm and quiet.
Great chaos, as the normal, everyday people make an immediate run for it. People did react to the noise/explosion of the bomb, it would appear, with immediate panic.
What appear to be real people running from the scene, this being in front of the more distant part of the LensCrafters building. Notice what appears to be smoke encroaching upon the escapees.
During the escape something else happens, right in front of the other (non-damaged) LensCrafter’s entrance. Two women seem to stop and make a turn around. What are they doing?
As she swirls into position, preparing for her fraudulent shoots the glass is seemingly visible at the other part of the building. It raises the question of just when that glass was broken. The legal liability of people being cut up by shards of falling glass, chunks of glass falling on people, possibly falling into the face and eyes, would be vast, especially for the organizers of the Marathon and far more. Any damage must have been coordinated when the people weren’t there. UPDATE: the question, here, is whether or not the glass from the windows up high would be splintered. We are not experts in this and merely raise the question, as some photos show chucks of glass missing from this higher windows>
She has just whipped out her telephoto camera. Is this possibly to take those pictures of the fake massacre to create fright, anguish, and fear? Note that in these frames all the glass appears intact. It was always intact in the more distant part of the LensCrafter’s building.
The sign is clearly visible with the burnt orange; this is where the action is at this time.
Note: this photo is not from the cell-phone. Regardless, man in the green hat is one of the coordinators.
Quickly thereafter, two heavy-hitting operatives turn up, producer/director and her collaborator, the one in black with the sunglasses, the image below not from the cell phone but, rather, uploaded on the media:
Note: there seems to be no doubt about it the woman in the purple outfit isn’t a nurse but is, rather, an operative involved in this scam, shredding the clothes of the actors as quickly as possible. As well, who is Sullivan talking to? Is it the person in charge, the key producer?
Back to the cell phone image, taken mere seconds after the flash-bomb:
Cell phone image Media image
These are the same person. Note the white stripe on the collar. Whoever is the chief coordinator of this event surely wouldn’t put their top people in jeopardy.
Cell phone image Media image
Note the same prominent chin, dark, high collar, and large, dark sunglasses. If anyone can capture better images, email or post them, and they will be replaced. Both these women caught in the the cell phone frames are the same as the ones on the ground with the fabric shears lady, see the lightened up version below:
Sullivan’s white-collar can be seen clearly and definitively. This proves that two producers and directors were on-site, accompanied by the shears mole, the woman in purple. Sullivan, whose office is on Boylston St., takes orders from command and control.
There is more: considerably so. Who else is prominently pictured? It is none other than the chief mole of all, the ADL’s self-confessed augmented reality agent and magician, Christian Williams. He shows up, hoodie and all, not on the run but via a different disguise: sitting on the ground, where all moles belong. In this frame his grey hoodie disguise is clearly seen protruding. He’s hunkered down, hiding, just as a mole should:
Here is a better view a fraction of a second later. That’s him, no doubt, with the grey hoodie, black or dark-grey jacket, and blue pants. He is the only man with a grey, drooping hoodie seen in any of the numerous frames.
Now the image twisted upright, hoodie, hand, and feet seen despite poor resolution. Note this picture well as this will give hard proof that the double amputee pictured all over the world is an absolute fraud and that he in no way lost his legs that day:
This image is so crucial that it will be isolated and enlarged for another view:
Left hand doesn’t seem to have anything in it. What about the right hand? It seems that there might be something in his hand: possible.
Regardless, the hoodie outfit is distinctive to him; in other pictures it droops and curls; the suspicious is that it is him. Seems to have something wedged between his legs; is that his bag loaded with his magic tricks? Also, notice that in this frame his hand is out front. Could prove important later on. He is merely awaiting the arrival of the double amputee, safely secreted likely behind the LensCrafter (non-broken) door:
Here he is, hiding, once again, looking furtively to his left, the direction from which the operatives are arising. Notice also the woman in all frames running into the staging site, bolting into LensCrafters, which is, along with the Marathon store, pre-ordained for operatives only. However, let’s focus on the hoodie man, the star of the show. Williams now appears to be putting his arm behind his back, as if he is grabbing something. It can be seen that the left arm in contrast is wrapping around all the way to is shin, but that is not apparent on the right. What is he pulling out, another bag of tricks that contain the fake gore?
Here is the mole shown clearly. Could it be anyone other than him? The whole world is running: not him.
His hand is underneath the puffed out part; can’t entirely tell in this frame what it is. Yet, wait a minute, let’s cut it out some more and zoom it. Have you seen that before? It’s the fake stump, complete with the fake bone?
Light fleshy fake skin top, long single stem for the fake bone. Other than the red paint (added later) it’s the same. It is obvious that he added the paint, though the exact mechanism utilized has yet to be determined:
It’s simply poured or splattered on, like the paint company commercials. Woman in red and amputee (already an amputee) are giving hand signs to alert photographers, that is the degree of filthy corruption involved in this scam. It is clear, here, that this man hiding along the sidewalk is the magician culprit. Yet, did the cell phone camera capture anything else?
Here is another person, as Malone opined, who is acting like she is late for work. Does she look familiar?
No real shoes to make the plot easier; just slip them off and put them in a bag. Obvious black tights.
Here she is pulled upright:
One more capturing from the cell phone:
She did get to work in time, after all. Braided hair, the use of slip-ons (no shoes on or visible) peach shirt with a black vest; the only real difference is the bit of blue for an undershirt and the fact that, here, her clothes are all torn up.
Notice something else? It appears to be Photoshop at work:
Keep in mind that this was the frame where the fake gore was put in next to the man’s foot. Here, since she had no real blood on her at the time a fake cut was created by the insertion of a fake section:
The flesh cannot change shape so suddenly. Note the cut line riding above the straight line of blood. A darker cut line is also evident around the bizarre lumpy fake flesh towards the top. This is categorical proof that this photo was manipulated, that is after the image was taken.