Hard Proof of Staging and Hoaxing Dallas Shooting Hoax
For proof of the hoax watch the lady with the large white carry bag as evidence of arch-staging and faking in the Dallas cop shooting hoax. First, she’s at a key site, behind the furniture company truck. There’s a major shooting going on with some 11 people purportedly shot, some of them supposedly dead, cops no less, and she is just standing there, right where all the action is. The presence of this woman as an agent of staging and hoaxing is hard proof that this event is rather than an actual terrorist attack involving deaths and injuries merely a fraud and a hoax.
Moreover, she is not protected in the least, that is she is essentially in the line of fire: and doesn’t seem to be bothered by it to any degree. Why doesn’t she run away, far away, from all the action, that is if there truly was a real shooting. No one is even bothering to shoo her away, to guard her, or to protect her from the line of fire. Therefore, it is absurd beyond belief to hold this as a real shooting. It can only be a fake and a stage, no other possibility.
It is a key site, in fact, one of major staging. As an example see these images. The chief says there were snipers from on-high. Thus, the crisis actor police had to act this element out. Notice that the officers are aiming up for purposes of the camera-shoots.
The aiming is merely for show. There were no snipers there of any kind.
For purposes of drama the officer turns on the lighting device on the end of the armament. The turning on of that light for the cameras is hard proof of staging and mere show-boating.
So, then, she was, then, while at the back of that truck directly in the line of fire. On the same side of the truck in another scene the following is seen:
The cop keeps after the cameraman until he leaves. That, too, appears to be staged. Even so, the cameraman is never concerned abot any danger and only responds to the commands of the cop to drive him off. He, too, is fully in the purported line of fire.
Late at night, after all the ‘action’ subsides, here she is, again, captured in an image by embedded Ft. Worth photographer, Teshorn Jackson:
It is precisely the same woman seen before. Why didn’t she escape from the danger zone and get out of their altogether, that potentially fatal arena where endless blood was spilled, where the 11 cops were (sarcasm) shot? There is an additional image of this woman in the staging arena after the fact, sitting down, resting. This site has not been able to recover this image.
Across from the truck is found the arena of many staged photos. Do these cops look like they are in emergency mode?
Rather, it appears that they are acting, because that’s precisely what they are doing.
One of the key embedded photographers and journalists in the Dallas cop shooting hoax is none other than Ft. Worth wedding photographer, Teshorn Jackson. It was Jackson who said that he and his wife were fully fixed in that arena and were not allowed to leave: not until 3:00. Restrictions on them were stricter than an suspected gunmen: how bizarre.
It was Mr. Jackson who takes credit for the following photograph. This appears to be either a staging or debriefing center. See the woman in pink. Is she not the same person that can be seen, here?
For purposes of copyright law only screen captures of the images are used.
Here is the staging facility and it appears that this is taken after the fact, that is after the perpetration of the hoax:
Here is yet another staging center. Clearly, this run-for-it element is nothing other than an example of staging and hoaxing:
Too, in this excellent video capture the not only can the videographers be seen, but there is also a coach-like element at the end, fully guiding the crisis actors:
The woman facing the opposite direction is apparently a coordinator:
If this was a real shooting, they would all be running. The two white people wouldn’t be standing there merely capturing the sprinting on camera. This proves there was never any danger at all. In fact, all that was being shot were pyrotechnic rounds and blanks, which is obviously the case. None of these crisis actors suffered even a single real bullet strike of any kind.
Even babies were staged in this faux protest. Who would bring their tiny babies to such an event? The toddler can be seen in the following image, and it can be fairly certain in this case it is not a dummy. Americans are so impoverished that those 100 dollar bills mean so much that they are all willing to participate in this drama, dangerous as it is to the nation:
Here is another example. The policeman draws his weapon up, then brings it right down, knowing full well that he is being watched and recorded on tape.
Once again, it is all about those snipers on-high, who are now held as being non-existent.
Above is a good example of this event as a mere stage, a great quality HD image, meaning that, once again, embedded photographers were virtually everywhere in place. It truly is all a stage, and while it was being said that people were being trampled in the streets, the following image was captured:
Constantly, in this hoax there are people holding their cell phone cameras up high to capture as much as possible. No is seen ducking from any bullets. Nor are any people seen to be directly struck by any bullets. Not a single actual shooting or the body of someone shot is ever seen in the imagery, despite the multiplicity of founds found throughout the area. Smirkers and real events are not synonymous, rather, they are the antithesis of each other. No one is going to be joking around and smirking in a real, live-fire shooting, where there would be great danger to all concerned. This also means that they were coached; it was all by design and plan.
They are definitely taking instructions from someone. Once again, how much were these individuals paid to put on this performance?
The purported Dallas cop shooting is a scam. There is nothing real about it.